
by Elizabeth S. Craig, @elizabethscraig
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- Ice and Inspiration: An Ode to Writing in Winter From Val McDermid:
- What Do You Need to Shed? by Rochelle Melander
- ‘In a fog I rewrote and found my voice again – and who I was.’ Talking to playwright, activist and memoirist Karen Malpede: @rozmorris.bsky.social
- Is Writing Worth It? An Honest Answer for Writers Questioning Their Path: Mindset by Colleen M. Story
- Literary Resilience—Or, How to Survive the Cancellation of Your Series: By Bruce Robert Coffin
- Creatives Need Inner Peace: by Sue Coletta
- Why Writers Should Write By Hand: By Susanne Bennett
- How do you increase your attention span? by Daphne Gray-Grant
- Five Lessons I Learned From My Bad (Unpublished) Books: By PJ Parrish
- Is Your Writing “Good Enough” to Publish? by Suzi Vadori
- There’s Something Bigger Than Amazon: by James Scott Bell
- How to Write Even When You Don’t Feel Like It: by Javacia Harris Bowser
- How I Learned to Stop Labeling My Process and Start Trusting My Story: By Yasmin Angoe
- The Hidden Cost of Spam: How Emails Waste Real Resources: by Lisa Norman
- The Terrible, Horrible, No Good, Very Bad Imposter Syndrome Crisis: By Rachel Toalson
- Writing While Becoming Two: How Motherhood Influenced My Debut Novel: by Grace Walker
- The Art of Intimacy in Writing: by Sarah (Sally) Hamer
- Robert Louis Stevenson’s Art of Living (and Dying): by Trenton B. Olsen
- Crime Fiction Titles That Ask Questions: @mkinberg.bsky.social
- In The Spotlight: Jeramy Gates’ He Said, she said, “Murder”: @mkinberg.bsky.social
- Why the Golden Age of Detective Fiction Still Influences Mystery Today: by Andreina Cordani
- Canadian Publishers Speak Out Against Recent Book Bans in School Libraries: by Erin L. Cox
- As Key Hearing Draws Near, Publishers Defend Their Bid to Join Authors’ Copyright Lawsuit Over Google’s AI Training: by Andrew Albanese
- Sweden’s Storytel Reports Record Profits for 2025, Predicts Strong Growth Ahead: by Andrew Albanese
- Check: Is Your Character TRULY the Protagonist? by September C. Fawkes
- Creating Low Points for Your Protagonists: by Chris Winkle
- Making The Most Of Your Character’s Internal World: by Lisa Hall-Wilson
- How to Write Like a Writer: by Meg Dowell
- Choosing Between Past and Present Tense in Fiction: by April Dávila
- How To Write A Tragedy – That Fatal Flaw: By Anthony Ehlers
- Mining Off-Stage Movement: By Kathryn Craft
The Top Writing Links From Last Week Are On LitLinks: Share on X
As always, Elizabeth, I really enjoyed these links. There's always something new to learn! Today I especially noticed the one about writing by hand. It really raises the question of how we best learn and express ourselves. In fact, Sweden has brought back paper books and handwritten assignments to its classrooms, and the Swedes are finding that students have better recall and critical thinking about ideas. There's just a deep neural connection between our thinking and what our eyes and hands do that's pretty fascinating. I just wish my handwriting were neat… 😉
My handwriting has always been appalling and is definitely not improving at this point, ha. Hope you have a happy week, Margot.