by Elizabeth S. Craig, @elizabethspanncraig.com Complex murder schemes might seem clever, but they often backfire with readers who prefer believable motives and realistic methods. The best mysteries feel like they could actually happen. [...]

by Elizabeth S. Craig, @elizabethspanncraig.com Long setting descriptions make readers’ eyes glaze over. Mine do, too. Usually I’ll skim settings as a reader. The key is to keeping reader attention is weaving essential [...]

by Elizabeth S. Craig, @elizabethspanncraig.com Self-editing can’t replace professional editing, but it can make your manuscript stronger before it reaches your editor. Also, the less time your editor spends with your manuscript, the [...]

by Elizabeth S. Craig, @elizabethspanncraig.com Timeline errors can derail even the best mysteries. When your sleuth interviews a suspect on Tuesday but refers to it happening on Wednesday two chapters later, readers notice. [...]

by Elizabeth S. Craig, @elizabethspanncraig.com Good dialogue does a lot of work at once; it reveals character, moves the plot forward, and keeps readers turning pages. When conversations go flat, readers start skimming [...]

  by Elizabeth S. Craig, @elizabethspanncraig.com We’ve all written flat characters before. You know, the helpful librarian who exists only to hand over a crucial book, the grumpy neighbor who complains on cue. [...]

by Elizabeth S. Craig, @elizabethscraig I always like studying reader reviews of my recent releases to see what readers are saying about my books. Okay…correction. :)  I always study my reader reviews, I don’t always [...]

by Elizabeth S. Craig, @elizabethscraig I mentioned last week that I enjoy hearing other writers’ book-writing processes.   I share a variety of writing-craft tips on Twitter because although something may not be [...]