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An Exercise in Character Development

September 19, 2022 / Uncategorized, Writing Tips / 14 COMMENTS


By Joanna Campbell Slan @joannaslan 

A curious thing happened in the midst of banging out the words. I found a new way to learn more about my characters and to make them more individualistic. While writing Tuesday Trash and Trouble: Book #3 in the Friday Night Mystery Club Series, I described a scene where four female characters go to a birthday party. As I considered what each woman wore, I had to stop, think, and fine-tune the differences among them. I’ve written about these women’s clothes before, but I’d never put four of the characters together in one scene where they were involved in such a specific activity. It was that juxtaposition—shared purpose and activity, versus individual personalities—that forced me to work through their clothing choices.

Here’s a snippet of the scene where the characters are in a car together, on their way to the event:

All three of us must have been tuned to the same cosmic vibes. Zee wore neatly pressed jeans with a crease down each leg. My jeans were not pressed, and a little faded, but still my nicest pair. As for tops, Zee wore a creamy blouse with a Victorian high collar. Rosie’s peasant blouse was white and sprinkled with colorful embroidered flowers. I had on a white button-collar blouse that I often wore to work. The fact that we’d all chosen variations on a theme made me feel confident we’d fit in. At least, we matched each other!

When a fourth friend (Winnie) joins them, she’s wearing jeans and a white St. Louis Cardinals jersey.

Thinking through this scene was a good exercise for me. The clothing choices offered me a way to reflect the women’s personalities. As you might guess, Zee is a bit prudish and tightly wound. The narrator, Cragan Collins, is forever short of money and time. Rosie is a proud Latina, and the last person to join the group (Winnie) is a keen women’s softball player.

In the future, I plan to write more ensemble scenes, showing characters and their unique choices as a way to underscore their differences. Even if those scenes don’t make it into the final draft of my book, the exercise will sharpen my insights. In turn, my readers will surely find the people in my books more realistic. I hope you’ll find this exercise useful, too.

 

Author @joannaslan With an Easy, Effective Exercise for Character Development: Click To Tweet

 

Joanna Campbell Slan is the author of six mystery series. She’s taught writing to corporate executives and at Illinois State University. Her newest series is the Friday Night Mystery Club. Set in the 1980s, it explores the lives of young career women, living in a failing town in the Midwest. Contact her at jcslan@joannaslan.com or go to http://www.JoannaSlan.com.

    1. Absolutely! Even how they like their pizza or the types of hobbies they pursue. Having the variety of characters in one scene plays up their differences, IMHO. Thanks for the great idea, Alex!

  1. Thanks for sharing your experience. Clothes really do say a lot about a character, and they add to the reader’s visual sense of a scene. Those details do help readers to know the characters, and they don’t need a lot of verbiage, either.

    1. Margot, I try to challenge myself to lean into specificity. The more particular or unique, the more realistic. And you’re right…it’s a shorthand way of doing a character sketch. Thanks for commenting!

  2. Clothes, choices of food, music, cars they drive, the way they speak–everything is reflective of who a person is. Great post!

    1. Elizabeth, you are so right. So each choice is an opportunity for us to make our characters more vivid to our readers. The beauty of what I propose is that by describing what each member of a group wore (did, ate, drove, etc.), I can also compare and contrast their personalities.

    1. It does offer a framework for forcing you to be more precise, doesn’t it? Thanks for commenting!

    1. If the clothes don’t match the personalities, then maybe there’s a reason why? You started me thinking…If a character wears something wildly unlike her usual choices, wouldn’t that signal a change? A problem? An admission that formerly their clothing had been a disguise? Hmmmm. Something to think about! Thanks so much!

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