by Elizabeth S. Craig, @elizabethscraig
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- The 5 Best Mysteries for Jane Austen Lovers: by Amelia Blackwell
- Your Orient Express Reading List: From Lonely Planet: by Helena Smith
- 6 Mystery Novels with Unorthodox Settings and Setups: by R.M. Caldwell
- 7 Books Featuring Self-Sabotaging Characters: by Pardeep Toor
- Poetry Made Easy: How To Read & Interpret Poems: by Susanne Bennett
- Time for Writers to Work Harder On Your Own Reliable Resources: By Carolyn Howard-Johnson
- The Power of Introverts: by Kay DiBianca
- What We Owe Each Other as Writers: By Linda K Sienkiewicz
- Write Anywhere, Write Everywhere: By Greer Macallister
- 10 Weird Things Writers Do: By Susanne Bennett
- The 4 Most Dangerous Self-Doubt Traps for Writers: by Colleen M. Story
- Why writing feels hard: by Daphne Gray-Grant
- How My Memoir Helped Me Reclaim My Narrative: by Laurie Collister
- Every Small Win Matters: by Meg Dowell
- Things that Stop Us in Our Tracks: Are you your worst enemy? by Ossandra White
- Should Writers Use AI? from Fox Print Editorial
- Why Do We Write? By Kathleen McCleary
- The Ethics of AI in Writing: By Jim Dempsey
- On Writing the Hard Truths of Rural American Life:
- The Hidden Value of a Hard Writing Life: by Colleen M. Story
- What Knitting Has Taught Me About Writing: by Miranda Shulman
- From Cathartic to Intentional: How to Write When It Feels Hard: by Jill Boehme
- The Switch to a Slow-Burn Writing Process: By Deanna Cabinian
- Is Starting Really the Hardest Part? by Meg Dowell
- How Compassion Changed My Writing: by Anne Beall @janefriedman.com
- Starting to Write Again After Unimaginable Tragedy: by Mai Nguyen
- How To Write What You Love: by Mia Botha
- Why “The Story Behind Your Story” is So Important: by Jenny Hansen
- How To Use AI Without Compromising Your Integrity As A Writer: by Christopher Luke Dean
- Seven Tips for Building a Literary Community That Makes You Happy: By Tess Perko
- Rejections and Successes: by James Scott Bell
- Agatha Christie and the Bechdel Test: By Melodie Campbell
- You Don’t Need More Discipline. You Need to Slow Down: by Rochelle Melander
- When Writing Isn’t Possible: by Meg Dowell
- The Memoir Playbook I Wish More Writers Knew: by by Jacqueline Salmon @janefriedman.com
- Teach Your Book: Designing a Class Around Your Memoir: by Melissa Fraterrigo @janefriedman.com
- Murders at the Beginning of a Mystery or Later In: by @mkinberg.bsky.social
- 7 types of thriller opening lines (with examples from bestselling novels): by Louise Harnby
- Fan Feedback for Mystery Writers: by @mkinberg.bsky.social
- The Character Flaws That Drive the Most Compelling Domestic Thrillers: by Ava Roberts
- In the Spotlight: Tanushree Podder’s A Closetful of Skeletons: by @mkinberg.bsky.social
- Unrest as an Element in Crime Fiction: by @mkinberg.bsky.social
- Mysteries That Incorporate Historical Figures: by @mkinberg.bsky.social
- Ink and Emotion: Tracing The Path Of A Romance Novel: by Lucy V. Hay
- Love Story vs Romance: Key Writing Differences Explained: by Elaine Dodge
- Goodreads for Authors: What the New Updates Mean (and How to Use Them): by Penny Sansevieri
- A Simple Way of Marketing to Your Target Audience: by Joy York
- How to Handle Emotionally Complex Character Arcs: by April Dávila
- How Does Fear Play Into Character Arc? by Becca Puglisi
- Character Coping Mechanism Thesaurus Entry: Practicing Gratitude: by Becca Puglisi
- What My Creative Space Taught Me About Creating Strong Characters (+ 4 Writing Exercises): by Nicole Bianchi
- Giving Your Characters Serious Challenges May Give Them Delightful Strengths: by Jonelle Patrick @janefriedman.com
- 5 Reasons You Should Build Fear Into Your Story’s Turning Points: by Lucy V. Hay
- 6 Ways to Discover Your Character’s Greatest Fear: by Becca Puglisi
- How a Story’s Genre Influences the Role of Fear: By Angela Ackerman
- How to Use Dialogue Tags and Keep the Flow: by Ellen Buikema
- Writing: (You Can) Write Better Dialogue: by Linda S. Clare
- Dialogue That Kills It: Crafting Conversations Full of Suspense: By Jennifer Graeser Dornbush
- Why The Silence Of The Lambs Is The Thriller Writer’s Bible: by Amanda Patterson
- Analysis of The Little Prince: by Gabriela Pereira
- Jane Eyre, Wuthering Heights, The Tenant Of Wildfell Hall – One Story, Three Interpretations: by Elaine Dodge
- To Translate, or Not To Translate? How To Use Words That Are Not English: by Hank Phillippi Ryan
- How to Foreshadow: by Marilynn Byerly
- Is Fear Weakening Your Story? 5 Mistakes to Check: by Angela Ackerman
- Take a Side: Why Your Novel Needs an Argument: by Lori Gold
- How to Create Compelling Hooks for Every Chapter: By Jenn Windrow
- Writing Peeves and Favorite Editing Tips: by Lisa Tener
- 4 Ways Specificity Drives Your Story Forward: By Kathryn Craft
- Want Stronger Writing? Start Writing Less. by Janice Hardy
- A Quick Start Guide To Writing First & Last Lines: by Elaine Dodge
- Turning Point vs. Plot Point vs. Plot Turn: by September C. Fawkes
- Cause and Effect in Writing: by PJ Parrish
- Body Language in Our Writing: by Pat Spencer
- Writing that Works or Writing that Needs Work? by Linda S. Clare
- Trashy Novels, Treasure Troves: What Writers Can Steal: By Susanne Bennett
- Fear’s Toxic Cousin: The Fatal Flaw: by Becca Puglisi
- Crafting an Effective Atmosphere: by Laura Clarke Walker
- How to Find Your Way Through the Messy Middle: by April Dávila
- Introducing Characters: from Mythcreants
- The five-star question that divided my book club: by Linda K Sienkiewicz
- Writing 3D Scenes: by Linda S. Clare
- Sensory Anchors for the Messy Middle: by Lisa Norman