
by Elizabeth S. Craig, @elizabethscraig
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- Brainstorming for Stories: How to Turn Sparks into Worlds: By Tammy Burke
- No Such Thing as a New Idea: By Kasey LeBlanc
- My high school English syllabus, ranked: Brittany Allen
- The Fear and Fascination of Gothic Fiction: By Joe Hart
- What Money Really Means in Jane Austen’s Work: By John Mullan
- Why Everyone—Yes, Everyone—Should Join a Book Club: By Linda-Marie Barrett
- AI: Are We Becoming the Ghosts in the Machine? By David Corbett
- Hidden Ways Procrastination Affects Productive Writers: by Colleen M. Story
- How Writing in Community Can Forge Friendships and Evoke Change: by Beverly Gologorsky
- Who’s On Your Book Team? by Travis Tougaw
- On Not Writing, and Letting Wildness Be Your Guide: By Leila Chatti
- How Gratitude Helps Writers: by Kay DiBianca
- Why All Stories Are Myth—and How They Transform Us: by KM Weiland
- 5 Tips To Crush Self Doubt & Get More Confident As A Writer: by Lucy V. Hay
- Surviving Author (All!) Photos: By Randy Susan Meyers
- You Don’t Choose Your Train: by Annie Neugebauer
- How to Reconnect with a Draft You No Longer Want to Write: by Anne F Hag @Janefriedman.com
- What is the Point? Persisting Through a Difficult Time: by Fundy Blue
- When Writing Becomes a Chore (and How Not to Quit): by Meg Dowell
- What Does It Mean to Be an Author in an AI World? by Jami Gold
- Chasing Trends, A Writer’s Dilemma: by Ellen Buikema
- Don’t Wait to Share Your Message: by Ann Kroeker
- Spells, Skepticism, and Surrender: What Happens When the Agent Becomes the Author: By Samantha Browning Shea
- Leave Room for the Happy Accidents: from Fox Print Editorial
- Non-Conformity in Crime Fiction: @mkinberg.bsky.social
- In The Spotlight: Chris McGeorge’s Now You See Me @mkinberg.bsky.social
- Why food and murder pair so well in fiction: by Carmela Dutra
- The Need for Suspension of Disbelief In Some Crime Fiction: @mkinberg.bsky.social
- On Approaching Tables of Contents: by James R. Preston
- The Schrodinger’s Cat of Women in Indian Publishing Associations: by Arpita Das
- Breaking Bread: The Role of Food in Building Character: by Karmen Spiljak @janefriedman.com
- Character Change: by Erik Bork
- How to Write a Matriarchy: by Chris Winkle
- Writing the Societal Plotline: by September C. Fawkes
- What Is Memory? & How To Use Memory In Writing: by Elaine Dodge
- Why writing improvement isn’t linear: by Daphne Gray-Grant
- Thoughts on Adding Time to a Story: by Ann Gordon
- How To Use Contrast In Writing: by Elaine Dodge
Thanks, Elizabeth, for these links. They're so very helpful, and I like learning what other readers and writers are sharing. I was glad to see the article about joining book clubs. I belong to two, and they both give me so much perspective. As a writer, I learn what readers like/don't like/find interesting/boring etc. I also see what other writers are doing, and that helps me improve my writing. That helps me. As a reader, I learn a lot, too, and I like discussing the ideas and 'meeting' new-to-me writers..
That’s amazing that you’re in 2 book clubs! I’m sure they help expose you to lots of books that you might not ordinarily have found/picked for yourself.
Merry Christmas, Elizabeth!
Merry Christmas to you, too, Alex!