
by Elizabeth S. Craig, @elizabethscraig
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- Reading as an Author: by Philip Athans
- Let Us Help You Find Your Next Book: by The New York Times Book Review
- A Singular Pursuit: Why All Writing (and All Writers) Matter More Than Ever Today: by Timothy J. Hillegonds
- Handwriting ~ A Boost for the Brain: by Patricia Bradley
- 4 Writing Career Mistakes That Cost Me Years: by Colleen M. Story
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- New Perspectives at 14,000 Feet (and Falling Fast): By Kim Bullock
- Writer’s guilt: by Daphne Gray-Grant
- Your Value as a Writer in The Face of Generative AI: By Tessa Barbosa
- Weird Habits Of Famous Writers: By Susanne Bennett
- Writers: You Can Only Control So Much: by Meg Dowell
- Focus on Finishing: by Joseph R. Lallo
- Are Abandoned Projects a Sign of Creative Weakness? by Ann Kroeker
- What Hallmark Taught Me: by Mary Flynn
- Hollywood Needs to Stop Hot-Washing Literary Adaptations: by Maris Kreizman
- Does the Shy Girl Mess Mean We Give Up the Em Dash? by Anne R. Allen
- Never Give Up in the Face of Rejections: by Reavis Wortham
- A Lesson in Perseverance from Walt Disney: By Diana Giovinazzo
- In The Spotlight: Donna Leon’s Through a Glass, Darkly: @mkinberg.bsky.social
- Running Away From Troubles as an Element in Crime Fiction: @mkinberg.bsky.social
- How to hook readers: The first 5 pages of a thriller: by Louise Harnby
- Growing Old in the Publishing Business: by Richard Charkin
- Writing & Publishing Awards Have Difficult Decisions to Make Regarding AI: @janefriedman.com
- Why Writers Need to Learn How the Publishing Business Works: By Doug Seibold
- Five Out of Place Arcs in Popular Stories: by Oren Ashkenazi
- Five Stories With Poorly Crafted Political Conflicts: by Oren Ashkenazi
- Seven Ways to Clarify Critical Information in Your Book: by Chris Winkle
- Finding The Heart of the Story: By Heather Webb
- Let’s Talk Heartily About Adverbs: by James Scott Bell
- Writing Dark Academia: from Mythcreants
- Character names in crime fiction, mysteries and thrillers: by Louise Harnby
- How to Create a Consistent Story Tone (And Why It Matters): by K.M. Weiland
- Five Tips to Keep Track of Characters Behind the Scenes: by Debbie Burke
- What Is Metafiction? & How Do I Write It? by Amanda Patterson
- Chipping Away at What Isn’t My Book: by James Scott Bell
- Self-editing checklist for crime, mystery and thriller writers: by Louise Harnby
- Self-Editing Your Draft: From “WTAF?” to “Hell Yes, I Wrote That!” by Lucy V. Hay
- What to Do With Your Hands When Speaking: A Guide to Natural Gestures: by Gigi Rosenberg
- The Reluctant Spammer’s Field Guide: by Lisa Norman